MY ART
My Art in categories
I create a variety of artworks, each with its own style, mood, and story. I've organized my pieces into six distinct categories. You can find them in the dropdown menu under "My Art"—each section offers a glimpse into a different facet of my creative expression.
You can also find them here:
The thoughts behind each collection
Urban Movements
Most of the works in this collection are rooted in urban environments but not always in the literal sense. I'm drawn to places where human presence leaves a trace: cities, yes, but also imagined landscapes, transitional zones, and emotional senses.
These paintings explore atmosphere more than architecture. I use texture, layering, and abstraction to evoke how spaces feel rather than how they look. Whether it's the quiet tension of a city at dusk or the dreamlike quality of a place remembered rather than seen, each piece is a reflection of mood and memory.
The collection moves between real and unreal, structured and fluid. It's about how environments, urban or otherwise, shape our inner worlds.
Some works suggest city rhythms; others drift into more complex senses. But all are connected by a desire to capture the emotional residue of place, time or feeling.
Naked Series
This series isn't about nudity, it's about exposure. The human form here is raw not just of clothing, but its remains is raw presence.
I'm less interested in anatomy than in atmosphere. how vulnerability feels when it's quiet, when it's held in stillness. These figures aren't posed, they are rather suspended in emotional space.
Some pieces suggest solitude, others intimacy. There's tension, softness and ambiguity. I work with muted palettes and layered surfaces to evoke the emotional weight of being seen and sometimes, of not being seen at all.
The Naked Series is a meditation on what it means to be exposed, not just physically but emotionally. It's about the quiet power of presence.
This serie will be growing in different senses portraying the woman in different phases of life.
Dark Emotions
This series is an exploration of the shadows we carry. Not all emotions are bright, some are heavy, tangled, and silent. Dark Emotions gives form to those inner states that cannot always be expressed.
These works are quiet, sometimes restrained, sometimes raw. I use texture, abstraction, and to express grief, anxiety, isolation, and the complexity of inner struggle. There's no narrative here, just atmosphere. Just feeling.
Some pieces are dense and layered, others sparse and minimal. The contrast reflects how emotions move: sometimes overwhelming, sometimes barely present but still there. I don't try to resolve these feelings in paint, I just let them exist.
Dark Emotions is not about darkness for its own sake. It's about honesty. It's about making space for what we often hide. And in that space, there's a kind of quiet beauty.
Earth's Beauty
This series is a tribute to the quiet beauty of the natural world. In the intimate details, the subtle textures, the moments that ask us to slow down and feel.
Earth's Beauties explores landscapes, organic forms, and elemental rhythms. I'm drawn to the way nature holds emotion: the stillness of a forest, the movement of wind across water, the quiet resilience of stone and soil. These works are not literal depictions, they're emotional impressions.
I use layered surfaces, earthy palettes, and abstracted forms to evoke the feeling of being immersed by the silent beauty of earth. Some pieces suggest specific places; others drift into dreamlike terrain. But all are rooted in a deep appreciation for the natural world and its ability to reflect our inner states.
This series is about connection, between land and self, between texture and memory.
It's a reminder that beauty doesn't shout. It whispers.
Abstract Geometry
In Abstract Geometry, I work with lines, shapes, and layered surfaces to create compositions that feel both calculated and intuitive.
I'm drawn to geometry for its precision, giving a sense of control in comparison of my other collections. My work plays with symmetry and contrast, order against impulse.
The piece is a conversation between logic and feeling. I use grids and diagonals to build a sense of stability, then let texture and gesture introduce tension.
It's about how we try to organize our inner worlds and how emotion always finds a way in.
Abstract Geometry is not cold or detached. It's personal. It reflects the way I think, the way I feel, and the way I navigate between clarity and complexity.